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Posts Tagged ‘Phi’

L4592: ‘Graven Image’ by Phi

Posted by Encota on 21 February 2020

I found this a fun solve – thanks Phi!

I was caught out by what seemed to me as an alternative answer to 19a’s: Disgusting tart curtailed fun at the fair (6)
I had read this as potentially a clue with a word reversed in it, namely:
Disgusting trat curtailed fun at the fair (6)
Which I then parsed as TRA(t)+SHY, what you do at a coconut shy at the fair. Did TRASHY mean disgusting? Well, I convinced myself it was close enough – and this held up the rhs of the puzzle for much longer than i should have allowed.

Eventually I saw tart could be changed to start, so leading to PUT+RID(e). Phew!

This was a neat construction with an interesting theme – thanks Phi!

Tim / Encota

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Graven Image by Phi

Posted by shirleycurran on 21 February 2020

The title didn’t really tell us anything though, when we had completed our solve and spotted ALBRECHT DÜRER in the Knight’s moves, I did think that maybe the wonderful Dürer HARE was a graven image. After all, there was a hare of the Poat kind sneaking into the clues. ‘FrencH ARE leading vice trial as before (5)’ We opted for ES + SAY (vOice for vice as an added letter) and I looked up the iconic hare, to find, sadly, that he was water colour and not a graven image..

Naturally I looked for Alcohol in Phi’s clues too and found “Glasgow’s dray and vat not fully visible in the smoke there (6)’. By this time, we had realised that some words were being entered in reverse in the first four columns and that almost all of the remaining clues in those columns had a word reversed (except KNIGHT – leading us to our ultimate knight’s moves – I know Phi and Sabre have set together as Phibre – is the Sabre knight’s move virus catching?) That KNIGHT was of course the word that was in the wrong set and prompted us that we had to follow ‘a principle befitting the first element of the title’.

Here we reversed DRAY, giving YARD and decided that the VAT was a KIE[R}, giving us REEKIE – Glasgow’s smoke. Well – a whole vat! Cheers Phi!

AGAR, SEDNA, IN ON, MART and RECCOS all reversed so we had one of our alterations. I found working out the other two more difficult as I could never remember whether I was adding or subtracting a letter and just when I thought we had sorted it out, a word seemed to be in the wrong set. DEARTH had a letter missing and was entered as DEATH when we thought it ought to be gaining a letter. Then 9d led us to LIVED (‘Was volume reduced in song (5)’. V in LIED). However our grid required DEVIL, so that gave us our third word that had moved into the wrong set.

And there was our hint. Knight, Death and the Devil – a Graven Image by Albrecht Dürer. And we were able to fill in the missing letters, completing his name in Knight’s moves. A nicely thematic conclusion. Thank you Phi.

 

 

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Listener No 4592: Graven Image by Phi

Posted by Dave Hennings on 21 February 2020

Phi’s last puzzle was a circular grid representing the target in a shooting gallery with scoring provided by Roman numerals. Before that we had one based on Piet Mondrian artwork with the grid partly containing three square regions. Similarly this week, the grid wholly consisted of three regions, but all the same size and shape.

A bit of mental geometry convinced me that the three areas each had to be 4×12 blocks although they could be vertical or horizontal. The entries starting in each region either had to be altered before entry or had a clue containing a word requiring such an alteration. Of course, nothing is ever easy, and one of the entries in each region had the alteration from a different region.

It’s always nice to start off solving clues with a flurry of entries being slotted in the grid. Unfortunately for me, this wasn’t such a puzzle! After about a dozen such across clues, I decided to try the downs and was rewarded by 2dn Reviled board, not initially providing transport (7), but only because reviled stood out as the reversal of deliver (RID) and leading to RIDABLE. That was followed swiftly by 3dn Old Irish rulers mostly appear to eat cod (6) for ARDRIS (cod becoming doc), one of them having cropped up a few times for me recently.

The next clue 4dn In armour, I yielded to King? That was a wonder (5) looked straightforward enough to give MARL (MAIL with R for I), but that had a 5-letter entry. My brain buzzed for a bit before I remembered that each region had a different method of alteration and it looked like the regions were vertical rectangles. It would eventaully become MAERL, a normal clue but an altered entry.

And so, with much mental toing and froing — and keeping my eyes, ears and brain peeled for the three misplaced alterations — the grid was filled. The three types of alteration were reversal, letter added and letter removed. The surface readings of affected clues were all worded well so it was normally tough to see what was going on. I particularly liked 33ac Number of days in journey may be important but not now (6) (now becoming won) for EIGHTY (WEIGHTY – W) with it’s Jules Verne reference. I also liked the corvid in 6dn Crow[d] catches flash of gem’s shape (7), although evidence apparently suggests that magpies and crows are not particularly fussed about glittery things.

And so we had the three wandering entries — left to right KNIGHT, DEATH and the DEVIL. Obviously for me, a bit of googling was required to reveal it as the name of an engraving from the 16th century by ALBRECHT DURER. Slotting the A in the top left square, it was easy to spell his name out by knight’s moves via the two central isolated squares to the bottom right.

The engraving was made in 1513 and, at 24.5×19.1cm was marginally smaller than the A4 sheet of paper that I used to solve Phi’s puzzle. One of Durer’s works was also the theme of an EV puzzle from Ifor last May, in that case Melencolia I.

All in all, good fun, thanks Phi.
 

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Gallery by Phi

Posted by shirleycurran on 14 December 2018

With some surprise, we downloaded a circular grid, though we have memories of Phi’s unusual grids, in particular when he celebrated his own fiftieth birthday with a double L grid. We know that editors are not over-fond of circular crosswords, partly because they tend to leave too many unchecked letters for the solver to work out, but this one, with a mere thirty-nine clues had (we discovered as we solved) the astonishing property of confirming every letter except for that repeated one from the radial entries that interrupted some of the circular solutions.

We noted that we were going to find just one single extra letter in the wordplay of one of the circular clues and the these were going to establish a scoring system in some form of game where the ten inward solutions were competing with the outward ones. We guessed from the title that we were going to be shooting at a target or maybe playing darts. Well, there would be a few glasses of beer consumed during either of those matches though the clues didn’t contain much alcohol – just a landlord and some Ecstasy being pocketed, but cheers, anyway, Phi.

That clue, ‘Youth estranged from much of society immediately pocketing Ecstasy’ gave us our first p.d.m. as we put NEXT round E and produced our NEET with an extra X. Could our scoring system be Roman numerals? (Thinking back to Phi’s Fifty crossword, that seemed plausible). ‘Recipient of goods no longer let down with busy person about’ put a BEE round VAIL, giving BAILEE and we had our V for five, so we hunted for an L in ring 4. That was tough (but Phi’s clues sometimes are, aren’t they?).Eventually we found that PLAT is an ‘American plan’ and reversing that gave us TAP, the espionage activity. We found the C with less difficulty, ‘Expert taking care of brittle cracked bitumen gave us A[C]E round BRITTLE* = ALBERTITE. D emerged from ‘SE[D] PAL’ for ‘Part of flower’ and I from (c)ADD[I]S, ‘Attaches braid without a hint of colour’. Those values worked from the outer circle to the inner one so we decided that a bull’s eye would have to score M or a thousand.

We slowly filled our grid, grateful for all those intersecting letters, then colour-coded our team of inward players and outward players and carefully added up their scores. Of course some of them (OPEN SEA, TAMARAO, SANTERO and OILLETS) had scored bull’s eyes, extending beyond the six cells allocated to the other words, but that was MM for each team so we had to carefully calculate the shots in the six rings. We had some doubt about the shared ‘hit’ where EL NINO and ALECTO might both have put their bullets into the same hole or one of them might have missed (which would justify that figure 16 in the preamble), but decided to give them the benefit of the doubt and to add DD to the score. Inward seemed to be the more accurate shooter scoring MMDD CXVVII (3122) against Outward’s MMLXXXV (2085). Inward is the winner!

What fun and what a clever idea. Thank you, Phi.

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‘Squares’ by Phi

Posted by Encota on 25 August 2017

First of all, thank you Phi for a clever and enjoyable puzzle.  Mine ended up looking like this:

2017-08-05 20.49.46 copy

I particularly liked how each square had the colour required within it – especially the ‘folded’ yellow – and that we weren’t spoon-fed their existence in the Preamble.

But I had been somewhat surprised to see the puzzle’s theme – and below you’ll see why …

Last (at the time of writing) Saturday 29th July I was delighted to meet up with fellow setters and solvers at the regular, quarterly, Listener get-together in London.  Before the meeting and after a relaxing breakfast with one of my sons, he and I decided to visit Tate Modern.

And there I found a great idea for a puzzle.  I took photos so I could recall every detail.  On the way home on the train I started sketching how it might look in the Grid.  Then I put that aside for the rest of the week to let me deal with other ‘stuff’ that needed sorting.  This is what I had seen:

E683DB1A-CA38-4BCA-BA88-052E8A5D1D52

This was the artwork ‘Composition C’ by Piet Mondrian, details below:

8547E53B-0CE3-4FDE-BA10-BB6D77282A04

So imagine my delight when I saw L4462 this weekend!  I am definitely counting myself very lucky that it appeared before I’d invested too much time in creating my own imitation.  Have any other setters experienced similar?*  I.e. been a (long?) way down the track with a new puzzle theme only to find someone else got there first?  Perhaps it is a lot more common than I realise?  If yes, I’d love to hear your Comments!

cheers,

Tim / Encota

*Of course fellow blogger Dave Henning’s database does a great job of helping one avoid inadvertently using a previously deployed theme, or ensuring that a new use is different enough: it’s the time where new themes are hiding in the puzzle editor’s queues where the ‘fun’ starts!

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